Where the Border Patrol Comes Looking : At rodeos across the country, Carrie Schreck documents the communities and young men targeted for recruitment, raising questions about the widening reach of immigration enforcement. Continue reading The Culture of Recruitment: Where the Border Patrol Comes Looking
B.A. Van Sise’s featured long-form project, The Land of the Free, draws our attention toward one of the least visible populations in American society: people living within its prison system. Yet rather than centering the crimes that brought them there or the institutions that contain them, Van Sise begins somewhere altogether different. Each portrait is paired with a single, disarmingly simple question to recall their earliest memory. The answers shift the conversation away from guilt, punishment, or innocence and toward something more fundamental; toward a touchstone experience that predates present identity, judgment, and consequence. Continue reading The Complexity of Looking: B.A. Van Sise and The Land of the Free
Simon King’s photographic project, “Fringes of the Game,” explores the Atherstone Ball Game, highlighting the essence of community and tradition rather than the event’s chaos. By focusing on quieter moments and peripheral scenes, King reveals the town’s collective identity, showcasing how rituals shape belonging and continuity in a vibrant cultural landscape. Continue reading At the Edge of the Game: Simon King and the Rituals of Atherstone
Rich-Joseph Facun’s “1804” explores the complex relationship between a rural university and its Appalachian community, reflecting themes of opportunity and dependency. Through poignant photographs, Facun captures the struggles shaped by economic challenges and cultural heritage, while inviting viewers to contemplate the layered meanings of place and identity amidst uncertainty. Continue reading Rich-Joseph Facun’s ‘1804’ and the Quiet Gravity of Place
Adam Reynolds’ project, “When is a Massacre a Massacre?”, explores the complex historical narratives surrounding violence between Native American communities and the U.S. government. Through landscape photography, it examines how the term “massacre” evolves, reflecting cultural interpretations and societal values over time, while highlighting the role of memorialization in shaping historical understanding. Continue reading Contested Ground: Adam Reynolds and the Language of Massacre
Kathy Shorr’s SHOT trilogy examines the human aftermath of gun violence in the United States through portraiture grounded in community, healing, and lived experience. Focusing on survivors, families, educators, and neighborhoods shaped by loss, the work shifts attention from isolated events to long-term resilience. Her newest chapter, SHOT: We the Community, expands this narrative while maintaining an unblinking yet compassionate perspective. Built through trust and sustained engagement, Shorr’s project reflects the power of documentary photography to foster recognition and connection. Continue reading Holding Space: Kathy Shorr and the Communities Living After Trauma
Jim Mortram’s photography project, Small Town Inertia, captures the lives of marginalized individuals in Dereham, Norfolk, UK. Grounded in a two-decade commitment to his community, Mortram’s work emphasizes listening and intimate storytelling, offering a dignified counter-narrative to the sensationalism of mainstream media portrayals of the working class. Continue reading The Persistence of ‘Small Town Inertia’
