Rich-Joseph Facun’s “1804” explores the complex relationship between a rural university and its Appalachian community, reflecting themes of opportunity and dependency. Through poignant photographs, Facun captures the struggles shaped by economic challenges and cultural heritage, while inviting viewers to contemplate the layered meanings of place and identity amidst uncertainty. Continue reading Rich-Joseph Facun’s ‘1804’ and the Quiet Gravity of Place

Adam Reynolds’ project, “When is a Massacre a Massacre?”, explores the complex historical narratives surrounding violence between Native American communities and the U.S. government. Through landscape photography, it examines how the term “massacre” evolves, reflecting cultural interpretations and societal values over time, while highlighting the role of memorialization in shaping historical understanding. Continue reading Contested Ground: Adam Reynolds and the Language of Massacre